The play follows the story of a stereotypically big Irish family, preparing for the harvest in the year 1981, the political state of Ireland a major theme. Now, this theme has been touched upon in many stories, but this certainly humanises the struggle for the everyman, and even more so for the Carney family, having had a past of being IRA sympathisers. Jez Butterworth strings this theme throughout the story and interweaves it into the diverse characters, over three generations.

With a prologue and three long acts, the story has lots of room to breathe, the first hour is mostly dedicated to getting to know the many characters, which was executed brilliantly. It’s quite typical for acts dedicated to long introductions and setting the story to be a little boring but this wasn’t the case, each character full of life, and the family bonds strong and believable. Talent shone from younger and older actors, including a beautifully behaved baby.

For the most part, it was an easy watch, the buckets of information easily swallowed as it was doused with humour. It was without a doubt the most powerful play I have seen since the last play I saw directed by Sam Mendes. There are a lot of shows on the West End stages that make big impacts, but little of them have you leaving the theatre stunned into silence after the climax. It’s no mystery as to why this production is snatching up five stars from all the critics in town. This is definitely one you want to rush out to see and considering you can get tickets fairly cheap, you have no excuse to give it a miss.

Booking until 9 May, you can get The Ferryman tickets here.

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