LTD exclusive interview with Noises Off actress Sarah Hadland
The set for Noises Off is really unusual... as the play is all about a production of fairly dreadful farce: Nothing On and in Act One, you get to see the set for this play as we are in our final rehearsal with our director. Then in Act Two - the set rotates, and you get to see the backstage area during the run of the play and the real dramas that go on behind the scenes. This is all done with us continuing to pass through to the set of the play on the other side in real-time, and it's done in silence. This is probably the hardest part and the most fun for the audience. It's manic and hopefully very funny to watch things unravel. This is the side of live theatre the audience never usually sees, and to continue with a play on the other side of the set is a real challenge.
This play is so special, [that] it set a very high bar for farce - by doubling up with the show within a show and doing it so brilliantly. Michael Frayn has an incredible mind and has included so many witty details that few people will even spot but [that] make the piece so satisfying to work on. It also means you can watch the show several times and enjoy spotting new links every time, he often has words and actions happening simultaneously on and off stage, which must have been painstaking to work out!!
We all love to see things go wrong and also the drastic attempts people will make to keep going - it’s that whole "The Show Must Go On" mantra. Also, by Act 2 you have got to know the actors' characters quite well, so seeing how they manage under pressure is always fun for the audience. Everyone in life has experienced some level of disaster/drama and hopefully will recognise the desperation of trying to fix a situation.
In the short time we have been on so far, we have already had real backstage mishaps; including the handle for the door onto the stage coming off during the show - we had to stop it from closing so each person could still get on by taking turns to keep our fingers wedged in the crack of the door!
Adrian who plays Tim got his wig caught up in the curtain when he has to crawl underneath it to retrieve a bottle, and he didn't realise it got lifted off his head into the flies above. We had to mime to him it was missing and we were all looking frantically in the real backstage. We couldn't find it anywhere and then after the bows at the curtain call, it landed perfectly back on his head. We could never recreate this, even if we tried. That particular audience must have thought we'd had a magician in on it.
Also, the phone in Act 3 really does have a mind of its own... it's like a 10th character in the play and we never quite know what it's going to do...
Noises Off Garrick Theatre tickets on sale from just £18!
See why everyone is raving about the Noises Off revival. As Sarah Hadland pointed out, it's not just the play within a play that could "go wrong," you may even be in for a special surprise in reality! Noises Off is only booking at the West End's Garrick Theatre until 4 January 2020, so be sure to catch this comedic triumph whilst you still can!