Following a sell out run at the Royal Court Theatre, the universally acclaimed production of Martin McDonagh’s first UK play in over 10 years, HANGMEN transfers to Wyndham’s Theatre for a strictly limited season.
In his small pub in Oldham, Harry is something of a local celebrity. But what’s the second-best hangman in England to do on the day they’ve abolished hanging? Amongst the cub reporters and sycophantic pub regulars, dying to hear Harry’s reaction to the news, a peculiar stranger lurks, with a very different motive for his visit.
Martin’s McDonagh’s theatre credits include The Beauty Queen of Leenane (the Royal Court), The Cripple of Inishmaan (National/West End/Broadway), The Pillowman (National/ Broadway), The Lieutenant of Inishmore (RSC/Garrick/Broadway) and A Behanding in Spokane (Broadway). For film (as Writer/Director) credits include Six Shooter (Short), In Bruges and Seven Psychopaths. Martin has been awarded the Olivier Award for Best New Comedy (The Lieutenant of Inishmore), an Olivier Award for Best New Play (The Pillowman), an Academy Award for Best Live Action Short Film (Six Shooter) and a BAFTA for Best Original Screenplay (In Bruges).
Matthew Dunster directs as original cast members David Morrissey and Johnny Flynn reprise their roles.
★★★★★
‘The most line-by-line funny show London has seen in years’ The Daily Telegraph
★★★★★
‘Riveting from start to finish’ The Sunday Times
★★★★★
‘Drop dead hilarious’ The Independent
Matthew Dunster’s credits for the Royal Court include Liberian Girl. His other credits include The Seagull, A Midsummer Night’s Dream (Open Air Regent’s Park), Love’s Sacrifice (RSC), The Lightning Child, Arthur Darvill and Doctor Faustus (Shakespeare’s Globe), The Love Girl & the Innocent, You Can Still Make a Killing (Southwark Playhouse), Mametz (National Theatre Wales), Before the Party (Almeida), A Sacred Flame (English Touring), Saturday Night, Sunday Morning (Royal Exchange Manchester), Mogadishu (Royal Exchange, Manchester and Lyric Hammersmith), The Most Incredible Thing (Sadler’s Wells), The Two Gentleman of Verona (Royal & Derngate, Northampton). As a writer, his credits include Children’s Children at the (Almeida) and You Can See the Hills (Royal Exchange, Manchester).
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